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Trillions of miles of data: Your car is spying on you, and it's only just the beginningFrom your weight and facial expre...
15/05/2026

Trillions of miles of data: Your car is spying on you, and it's only just the beginning

From your weight and facial expressions to your destination, cars collect a startling amount of data about you. Some of it may even raise your insurance costs. But you can take some simple steps to limit what they know about you.

Cars used to mean freedom. When I first got the keys to the old family Toyota it was a rite of passage, a sign I was old enough to step away from the watchful eyes of my parents and enter a world where time and decisions were mine alone. Things change.

Modern cars are computers on wheels, and giant corporations are using them to suck up intimate details about your life and make more money. If you think driving today is a chance for solitude and independence, think again. And it looks like it's about to get a lot worse.

Car companies will tell you themselves if you wade through their privacy policies. The information they harvest can include precise location data about everywhere you go, who's in the car with you, what's on the radio and whether you buckle your seatbelt, drive too fast or brake too hard. Some can gather details you might not expect like your weight, age, race and facial expressions. Do you pick your nose? Some cars have cameras on the inside pointed at the driver's seat. And most come with internet connections that can ship off that data as you drive in blissful ignorance.

This is a privacy problem that can cost you money. Among the biggest customers for car data are insurance companies, and they're using it to charge some people higher prices. But there's no telling where your information is going. Some car companies admit they sell your data, but they don't have to say who's buying. That's to say nothing of the fact that you might find it a little creepy. Most consumers, experts say, have no idea it's even happening.

"People would be shocked at the number of data points that their car collects and transmits to other people, either the manufacturer or third-party applications," says Darrell West, a senior fellow in the Center for Technology Innovation at the Brookings Institute in Washington DC. "It basically means your life can be recreated almost on a second-by-second basis."

Feeling uncomfortable yet? A federal law is about to increase the amount of data your car can gather about you. It will soon require American car companies to install infrared biometric cameras and other systems to scan your body language, track your eyes or other aspects of your behavoiur to detect whether you're too drunk or tired to drive. But it will also open up a whole new trove of data about your health and your habits. There are no rules limiting what the car companies can do with that information.

'She was a beacon of light in a dark chapter in history': Ann Lee, the 1700s Christian leader who shocked AmericaHow did...
30/01/2026

'She was a beacon of light in a dark chapter in history': Ann Lee, the 1700s Christian leader who shocked America

How did a charismatic but impoverished British woman become the leader of the progressive religious sect known as "the Shakers" – taking it to America and inspiring thousands to follow her?

The 18th-Century Christian sect known as the Shakers is best known today for its influential contributions to furniture, design, and architecture. What is less well known is how incredibly radical the Shakers were. Way ahead of their time, they espoused gender parity, communalism, pacifism and sustainability. They also pioneered social services in America, provided shelter to abused women, and freed enslaved African Americans. And then there was their insistence on celibacy and the abolition of marriage.

Even today, the Shakers' ideals seem daring – and many of them can be traced back to the religious movement's unlikely leader, British-born Ann Lee. She was an illiterate woman who grew up in poverty, and yet she convinced thousands to follow her teachings. How did she do it?

While she left behind no writings, testimonies from her followers describe her as an enormously charismatic and persuasive figure. "All the accounts of [Lee] speak about this fierce dedication to [her cause]," says film-maker Mona Fastvold.

Now Fastvold has co-written and directed a historical musical, The Testament of Ann Lee, which stars Amanda Seyfried as Lee. Described by Fastvold as a "speculative retelling" of Lee's story, the film charts the life of the charismatic figure, from her impoverished childhood in Manchester, England, to becoming leader of the Shakers and taking the movement to America, to her death at the age of 48.

Djokovic scrapes into semis after Musetti injuryNovak Djokovic's bid to make more tennis history is still alive as he sc...
28/01/2026

Djokovic scrapes into semis after Musetti injury

Novak Djokovic's bid to make more tennis history is still alive as he scraped into the Australian Open semi-finals after Lorenzo Musetti retired injured when leading by two sets.

Djokovic, aiming for a standalone record 25th Grand Slam singles title, was wayward, error-strewn and irritable against the inspired Italian in front of a stunned crowd.

Musetti was 6-4 6-3 up and looked set for the semi-finals when he pulled up early in the third set.

The fifth seed took a medical timeout for treatment on his thigh but, unable to serve or move properly, he walked to the net and shook hands at 3-1 down in the third.

A heartbroken Musetti had to be helped down the corridor by a member of his team as he left the court.

"He was a far better player - I was on my way home tonight," the 38-year-old Serb great said.

"I don't know what to say except that I feel really sorry for him.

"I really wish him a speedy recovery. He should have been a winner today, there's no doubt."

Djokovic received treatment for blisters on his feet at the end of the second set and could also have been tested physically had the match continued.

It is another stroke of luck for Djokovic after fourth-round opponent Jakub Mensik withdrew before their match with injury.

Djokovic has not won a set since his third-round victory over Botic van de Zandschulp on 24 January.

For Djokovic to move ahead of Margaret Court's record of 24 major singles titles, he will need to limit his time on court, keep the points short and hope some good fortune goes his way.

He has managed those so far - but he would not have anticipated reaching the semi-finals with such a heavy reliance on fortuity.

Why Hollywood fell out of love with WickedIn today's Oscar nominations, the biggest shock was that massive musical seque...
23/01/2026

Why Hollywood fell out of love with Wicked

In today's Oscar nominations, the biggest shock was that massive musical sequel Wicked: For Good, starring Cynthia Erivo and Ariana Grande, earned zero nods – despite its predecessor earning 10. It proved the perils of overstretching your material.

The Oscar nominations had their usual share of snubs and surprises, with no best supporting actor nod for Paul Mescal, the co-star of Hamnet, and two different nods for Norway's Sentimental Value in the best supporting actress category. The biggest surprise of all, though, is what might be called a multi-snub, or even an omni-snub: there were no nominations at all for Wicked: For Good.

This was a shock for two reasons. The first is that Wicked: For Good is part two of an adaptation of a Broadway show, and part one, which was released a year earlier, racked up a whopping 10 Oscar nominations. The Academy was spellbound, it seemed, by this colourful prequel to The Wizard of Oz. It adored Oz's two iconic witches, Elphaba and Glinda, and especially the two actresses who played them, Cynthia Erivo and Ariana Grande. How could things go so disastrously wrong that the franchise's Oscar-nomination total should plummet from 10 to zero?

The other reason why the omni-snub was unexpected was that, at the start of awards season, Wicked: For Good appeared to be a major contender. At the Golden Globes in January, Erivo was nominated for best actress in a comedy or musical; Grande was nominated for best supporting actress; the film as a whole was on the shortlist for cinematic and box office achievement; and it had not one but two nominations for best original song.

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