Faith Hauling and Junk Removal

Faith Hauling and Junk Removal Our business provides hauling and junk removal which includes numerous items such as refrigerators,

Prices start at $65 for single items such as washers, dryers,and other small appliances.

06/19/2026

He came from nowhere in particular.
No collar. No name anyone knew. Just a street dog doing what street dogs do — wandering, watching, hoping for something without quite knowing what.
He found it that afternoon.
A small group of boys were sitting together on a quiet street, the way kids do when the day has nowhere urgent to be. And when the dog approached — cautious, a little uncertain, reading the room the way animals always do — something simple and extraordinary happened.
They made room.
Not with fanfare. Not with treats or commands or a plan. Just a small, unconscious shift — bodies moving to create a space that said: you can be here too.
And so he stayed.
He sat right there among them, calm and settled, his whole body exhaling with a kind of relief that only animals can show without embarrassment. No leash pulling him toward someone. No hand waving him off. Just a circle of kids who decided, without discussing it, that he was welcome.
The video spread because of what it didn't have.
It wasn't a dramatic rescue. Nobody pulled him from danger. Nobody filmed themselves doing something heroic. It was just a few ordinary boys on an ordinary afternoon, sharing their small corner of the world with a dog who probably spends most of his days being looked through.
But in that moment, he wasn't a stray.
He wasn't a problem to solve or a sad story to scroll past.
He was just one of the boys — sitting with his friends on a quiet street, in no hurry to be anywhere else.
That is the kind of kindness that doesn't ask for credit.
It just moves over and makes space.
And sometimes, that is the whole world to someone who never expected it.

06/19/2026

After watching people use money to buy food, a clever dog figured out his own way to pay, with leaves.

In Monterrey, Colombia, a black dog named Negro lived on a school campus and often watched students buy cookies at the shop.

One day, he picked up a leaf, walked to the counter, and offered it like money.

The staff played along and gave him a cookie. From that day on, Negro started “buying” cookies with leaves every day.

They limited his treats to keep him healthy, but his adorable habit quickly went viral around the world.

Proof that dogs are not just loyal, they’re also smarter than we think. ❤️

06/19/2026

Gordon Hartman is a former homebuilder and real estate developer from San Antonio who was inspired to create a more inclusive world after seeing his 12-year-old daughter, Morgan, who has physical and cognitive disabilities, left out while other children played at a hotel pool in 2005.

Determined to build a place where people of all abilities could play together, Hartman sold his successful homebuilding business, founded the Gordon Hartman Family Foundation, and invested $34 million to create Morgan’s Wonderland, which opened in 2010.

The park has since grown into a $51 million destination that has welcomed well over a million visitors. Staying true to its mission, admission is free for guests with special needs, while companions pay a small fee. Spread across 25 acres, every attraction—from an accessible Ferris wheel and sensory village to the fully wheelchair-friendly Morgan’s Inspiration Island—was designed to accommodate people with a wide range of physical and sensory needs. About one-third of the park’s staff also consists of individuals with physical or cognitive disabilities, reinforcing its commitment to inclusion both on and off the attractions.

06/19/2026

In 1939, a painter staying at Melrose Plantation in Louisiana packed up his supplies and left a few tubes of paint behind.
Clementine Hunter was 53 years old.
She had been cleaning that man's studio for years.

She was born in late December 1886 on a plantation called Hidden Hill two decades after the end of slavery.
Her grandmother had been enslaved on the same land.
By the time Clementine was eight years old, she was in the cotton fields herself.
Pulling bolls. Filling sacks. Working rows in the Louisiana heat for less than a dollar a day.
She attended a Catholic elementary school for a short stretch of years.
She left without learning to read.
So she put words down and worked instead.

Around age fifteen, her family moved to Melrose Plantation near Natchitoches.
She would never live more than a few miles from that place again.
She picked cotton. She harvested pecans. She married. She raised children and buried two who were stillborn.
By her late thirties she had moved into the main house as a cook and housekeeper.
She was famous in that kitchen for twenty years before anyone knew her name for anything else.

Melrose was not an ordinary plantation by then.
The owner, Cammie Henry, had turned it into a retreat for painters and writers — people who came from New Orleans, from New York, from places Clementine had never been.
They left behind paint tubes, brushes, half-empty jars.
She cleaned their studios. She watched them work.
She said nothing.

Then the abandoned tubes appeared — and she carried them to François Mignon, a writer who lived at the plantation.
She told him she thought she could make a picture if she set her mind to it.
He found an old window shade.
He handed it to her.

What she painted was not a copy of anything in those studios.
She painted a baptism on the Cane River people she knew, water she knew, clothes she had washed herself.
Mignon looked at it and could not stop looking.
He kept her supplied with whatever scraps he could find.
Cardboard. Paper bags. Soap boxes. Wooden boards. Glass bottles.
When she ran out of paint she thinned what she had with turpentine until her skies went translucent.
She painted at night after long days of labor.
She painted before sunrise. She painted on Sundays.
She did not stop.

What came out of her hands over the next five decades was a world no museum had ever recorded.
Cotton picking. Saturday night dances. Funerals. Wash day. Baptisms. Pecan harvests.
The full rhythm of Black Creole life in rural Louisiana painted flat, direct, in colors that hit before you had time to think about them.
Critics called it primitive. Folk. Childlike.
She paid them no attention.
She kept painting.

In 1955, at age 68, she climbed a ladder inside the African House at Melrose.
She spent three months painting nine large mural panels across its walls.
Cotton fields. Baptisms. Daily life.
And in one corner a small figure of herself, painting.
Those murals still stand today, exactly as she left them.

By the 1970s her work was traveling to galleries on both coasts.
President Jimmy Carter invited her to an exhibition opening in Washington.
She declined.
She told people the priest had said the Lord could hear her prayers from home.
Her paintings, which had once sold for a dollar, were now selling for thousands.
She stayed in a small trailer near Melrose.
She charged 25 cents to tour her home and a dollar to take a photograph with her.
She never raised her prices for her neighbors.

Because she could not write her name, she had invented a signature a backwards C and H, interlocked.
That mark became so valuable that forgers were arrested for copying it.

In 1986, Northwestern State University awarded her an honorary Doctor of Fine Arts.
She was around 100 years old.
The girl who had left school without learning to read sat in that hall and accepted a doctorate in the same state where she had picked cotton at eight years old.
She painted until weeks before her death on January 1, 1988.
She was 101.

Her work now hangs in the Smithsonian Institution.
The New Orleans Museum of Art. The American Folk Art Museum. The Dallas Museum of Fine Art. Dozens more.
The murals inside the African House at Melrose Plantation still stand on the walls she climbed at 68 in the state, on the land, a few miles from the kitchen where she was already known before any gallery knew her name.
She never needed to leave.
The world eventually found its way to her.
She had already saved what no one else was saving.

06/18/2026

The Whitley home on Highway 471 in between Brandon and the Reservoir community. It was a Sears & Roebuck ready-to-build kit home originally built in 1918 by Mack and Ora Whitley.

Between 1908 and 1942, Sears, Roebuck and Co. sold over 70,000 "Modern Homes"—mail-order, ready-to-build house kits. These kits supplied everything needed to build a complete house—from pre-cut lumber and hardware to plumbing and paint; shipped by railroad boxcar to the buyer's local station.

Photo courtesy of The Forgotten South

12/29/2025

Made it with my own hands! ☺️ Thanks everyone who appreciates this ❤️👍

12/16/2025

A Mother Orca’s 17-Day Vigil of Love

For 17 days, a mother orca carried her dead calf across the Pacific, keeping its tiny body on her head, nudging it back to the surface whenever it slipped. Storms, currents, over 1,000 miles of open ocean nothing broke her devotion.

Orcas form lifelong family bonds. They share food, care for each other, and grieve deeply. This mother’s actions weren’t instinct they were pure, heartbreaking love.

Scientists call it the “Tour of Grief”. For her, it was simply refusing to let go. A powerful reminder: grief isn’t just human it’s written in the hearts of the wild.

12/01/2025

Picture the Arctic—where one clothing mistake means freezing to death in minutes. Where ocean spray at -40°F can kill you before you reach shore.
Indigenous Arctic peoples faced an impossible engineering challenge: create fabric that keeps freezing water OUT while letting body sweat ESCAPE. Because in the Arctic, trapped sweat is as deadly as seawater. Both cause hypothermia. Both kill.
Modern science "solved" this in 1969 when Bob Gore invented Gore-Tex—a revolutionary synthetic membrane with microscopic pores. Too small for water droplets to enter. Large enough for sweat v***r to escape. It changed outdoor clothing forever.
But here's what they don't teach you: Indigenous seamstresses had been wearing this exact technology for 4,000 years.
The Inupiat of Alaska. The Yupik of Siberia. The Inuit of Greenland. Across thousands of miles, they independently discovered the same solution: intestines.
Seal intestines. Walrus intestines. Whale intestines. Even bear intestines.
These weren't crude survival tools. They were masterpieces of textile engineering.
Mammal intestines have a natural membrane structure that works like nature's Gore-Tex. The outer surface is dense enough to block rain and ocean spray. The inner surface has microscopic pores that release water v***r from your sweat.
Water drops stay out. Sweat escapes. Perfect breathable waterproofing.
But the engineering brilliance wasn't just the material—it was the construction.
Seamstresses (almost always women, deeply respected for their expertise) would harvest intestines from freshly killed animals. Clean them meticulously—any remaining tissue would rot the fabric. Wash them repeatedly in Arctic water. Then inflate them like translucent balloons and hang them to dry in subzero air.
When dried, intestines became thin, papery, remarkably strong material. A single intestine stretched 6-10 feet long.
Then came the real mastery: waterproof stitching.
Regular seams leak. So these women invented specialized techniques—overlapping strips precisely, using sinew thread, coating seams with seal oil. Each stitch tight enough to prevent leaks, flexible enough to allow movement.
A single parka used intestines from dozens of animals. Thousands of individual stitches. Months of work.
The result? Garments weighing just 85 grams—lighter than your smartphone—that could keep hunters dry through hours of Arctic storms and ocean spray.
They were translucent. Light glowed through them like frosted glass. Some seamstresses added dyed strips, creating patterns that transformed survival gear into wearable art.
For a kayak hunter, these parkas were as essential as the paddle itself. One wave over the bow with regular clothing meant death in minutes. The gut parka was the difference between life and drowning in icy water.
For 4,000 years, this knowledge passed from mother to daughter. Master seamstress to apprentice. The skills survived through practice, necessity, and the simple truth that your family's survival depended on your ability to make clothing that worked.
Then the 20th century arrived.
Synthetic fabrics. Rubber raincoats. Nylon. Gore-Tex. Materials you could buy instead of make. Materials that didn't require months of skilled labor.
Traditional gut parka production collapsed. First slowly. Then rapidly.
By the late 1900s, elders who remembered the techniques were dying. Young people learned Western methods instead. The waterproof seam techniques, the specific stitching patterns, the intestine preparation secrets—all nearly extinct.
Some techniques were lost forever.
But not all.
Today, Indigenous communities across the Arctic are fighting to revive this knowledge. Elders teaching younger generations. Museums documenting historical garments. Artists experimenting to reconstruct lost methods.
In 2022, a Sugpiaq elder in Cordova, Alaska, led artists in creating a bear gut parka—one of the first made in generations. They spent months relearning preparation techniques, problem-solving when modern needles didn't work like traditional bone needles.
They succeeded. They recreated 4,000-year-old technology that still works perfectly today.
This isn't just preserving history. This is recognizing that "primitive" peoples were brilliant engineers who understood breathable waterproofing principles thousands of years before our laboratories "discovered" them.
Modern outdoor companies spend millions developing waterproof-breathable fabrics. They patent molecular structures. They market "revolutionary" materials.
Every single principle was already understood and applied by Arctic seamstresses 4,000 years ago.
They didn't have electron microscopes or chemical labs. They had observation, experimentation, and generations of accumulated wisdom. They tested materials, refined techniques, and created clothing that worked in Earth's most extreme environment.
The intestine parkas prove something powerful: human ingenuity isn't about technology level. It's about solving problems with what you have. Observing nature's solutions. Respecting the knowledge of those who came before.
4,000 years before Gore-Tex, Arctic peoples invented waterproof, breathable fabric.
They created garments lighter than modern rain jackets, more flexible than synthetic shells, perfectly adapted to their world.
Then Western culture called them primitive and almost erased their knowledge.
Now—finally—we're beginning to understand what nearly vanished.
And across the Arctic, seamstresses are stitching those connections back together, one intestine at a time.

10/24/2025

This poor young man deserves justice! What happened to him was tragic and criminal!

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Brandon, MS

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