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Absolutely agree with the observation and doctrine of the design master.       #設計  #設計大師
17/09/2026

Absolutely agree with the observation and doctrine of the design master.

#設計 #設計大師

設計大師 Philippe Starck:
「民主設計已經勝出,下一代創作人不再設計實體物件。」
2026 年歐洲設計獎(DesignEuropa Awards),將終身成就獎頒予法國知名設計師 Philippe Starck。設計網站Designboom趁此訪問大師,談及設計的未來。大師說,去物質化(Dematerialization)是設計的未來,最終實體物件將消失,變成一種純粹的服務。
此話怎說?
「未來將建基於去物質化(Dematerialization)。」他說:「當產品消逝,而它消逝得越徹底,力量就變得越強大。在我個人的設計實踐中,這也是我一直倡導與鼓勵的,我始終追求以極致簡約的素材進行創作,因為我相信物質性越少,代表着更高的智慧與更多人性。這樣做,其實正在質疑我們過往所認知到的設計師角色。」
過去數十年,Starck倡導「民主設計」(Democratic Design),透過降低生產成本讓大眾以廉價享受優質設計,他認為在今天這目標已然達成。
「我相信民主設計已經勝出,今天幾乎任何人都能以五十歐元買到一張品質優良的椅子。但我的使命始終如一:無論形式如何,我們都以這顆星球上最少量的資源,為最多的人提供最優質的服務。」
民主設計的任務已達成,他說下一個焦點正轉移至環境責任。設計師的責任,不再是如何填滿家居空間,轉而實行「正向去增長」(Positive de-growth)的思考。無論是設計師或消費者,都應該將出產(Output)集體回撥(dial back)10%,微小的轉變在個人層面上看似微不足道,卻能從根本上改變全球對物質的依賴。
去年,Starck曾公開批評米蘭家具展多由奢華品牌佔據,又危險又荒謬,這會造成過快的消費循環。當家具變成潮流,幾個月就被換掉,再換一批,非常浪費。
延續這說法,今年他說當人類將Output集體下調10%,拒絕由「每三個月更新一次流行趨勢」所驅動的超短產品周期,作品透過工程技術與材料,完美平衡,超越潮流,能造出長壽/永恆的產品。
「對我這一代的創作人而言,這個課題至關重要,因為我們不僅是創作人,同時依然是物質的製造者。我們有責任與義務進行可持續設計,打造在物質與文化層面上均具備超越時間(Timeless)、真誠且最高品質的項目,確保其生命力持久。我們必須挑戰那些消耗過多能源、玩世不恭的風氣潮流,」
今天,適逢歐洲設計獎(DesignEuropa Awards)十周年,大賽展現歐盟跨領域創新的面貌。來自不同國家的入圍決賽者,產業覆蓋關鍵醫療突破、家居與城市設施,再到可持續農業、健身及體育運動不等。
Philippe Starck:「下一代創作者將不再製造物質實體,而是創造服務。他們會成為我們的教練、營養師或精神科醫生。這並非一種選擇,而是我們的未來,也是參與人類偉大演變史的唯一途徑。人類本就是永恆演化的一部分,依然有未被開墾的領域,而這片空白,將為思想與創意提供無比肥沃的土壤。」
文:FM2
圖:Design Europa Awards, Stack
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#設計 #文化 #文化者 Starck

This is how the Japanese build their brands, especially those long lasting ones with rich and solid cultural elements li...
17/09/2026

This is how the Japanese build their brands, especially those long lasting ones with rich and solid cultural elements like this one.

Translation of the original post and credit to SUGOI JAPAN:
The Story of the Kyoto Artisan Brand "Ichizawa Shinzaburo Hanpu"
The brand is renowned for its handcrafted canvas bags. Its founder, Kihyoe Ichizawa—born in 1853 (the year of the "Black Ships" arrival)—was a progressive thinker and a true modernist with a passion for novelty. He was a rare figure at the time, often seen wearing Western-style clothing and hats. Beyond opening a "Western-style laundry" (dry cleaning) service, he was an active member of the "Kyoto Band," playing instruments like the cornet and clarinet; in short, he had an immense love for all things imported from the West.
In 1905, Kihyoe Ichizawa founded "Ichizawa Hanpu" in Kyoto. Initially, he used a sewing machine to make sports shirts and small tool pouches. Later, his son, Tsunejiro Ichizawa, established canvas bags as the company's core product. He invested 400 yen—a significant sum at the time—in a sewing machine and dedicated himself to crafting canvas bags. He expanded the business and brand recognition by offering custom services to local shops and manufacturing outdoor gear such as mountaineering packs and tents, further boosting the brand's influence. The third-generation successor, Nobuo Ichizawa, built upon this foundation to successfully expand the customer base to include young people and tourists.
The fourth-generation successor, Shinzaburo Ichizawa (the third son), had worked alongside his father in the family business for over two decades. After his father passed away in 2001, Shinzaburo—who was set to take over the business in accordance with the original will—was suddenly sued by his eldest brother. Although the brother had never been involved in the shop's operations and worked at a bank, he produced a "new will" and took the matter to court. The court ultimately ruled the brother's new will valid, forcing Shinzaburo to lose both the "Ichizawa Hanpu" trademark and the original storefront.
However, Shinzaburo was not alone in this loss. More than 70 skilled artisans from the workshop, along with his uncle, shared his vision and management philosophy; they all decided to resign en masse and follow him as he struck out on his own. The Birth of Shinzaburo Hanpu: In 2006, Shinzaburo established "Shinzaburo Hanpu" and "Shinzaburo Bag" directly across the street from the original shop. The artisans who joined him brought with them authentic traditional skills and the soul of the craft; even material suppliers and long-standing local customers in Kyoto remained steadfast in their support, choosing to supply and back Shinzaburo exclusively.
This history of forced independence actually paved the way for new opportunities. While Ichizawa Hanpu had previously focused on solid colors, Shinzaburo began developing a wide range of patterns and incorporating linen fabrics and exclusive metal hardware, injecting fresh vitality into the brand. In 2009, Shinzaburo’s wife, Emi, filed a lawsuit challenging the validity of a will and ultimately won the case. In 2011, Shinzaburo reclaimed the original shop and consolidated the three major trademarks—"Ichizawa Hanpu," "Shinzaburo Hanpu," and "Shinzaburo Bag"—into one.
To this day, the shop uses antique sewing machines that are over 90 years old, with artisans stitching and assembling each bag stitch by painstaking stitch. Despite achieving international renown, Shinzaburo remains committed to the philosophy that "there is only one shop in the world, located in Kyoto." He believes that the brand's most precious legacy lies in having travelers visit Kyoto in person to experience the city's unique atmosphere and take home a durable, long-lasting canvas bag.

This preview of the upcoming exhibition at Tai Kwun looks fascinating. Mastering multiple media and crossing over differ...
17/09/2026

This preview of the upcoming exhibition at Tai Kwun looks fascinating. Mastering multiple media and crossing over different art forms represent the attractiveness of the show. Highly recommended event for your participation. Enjoy and have fun!

#大館當代美術館

下期展覽「天鵝社」呈現藝術家安妮.伊姆霍夫的亞洲首場大型個展——透過場景構作、聲音裝置及現場表演,展覽藉多元感官體驗,探討性別、權力與身體規訓。曾榮獲2017年威尼斯雙年展金獅獎的伊姆霍夫以跨媒介場景調度見稱,其創作實踐涵蓋表演與編舞、繪畫與素描、音樂、裝置及雕塑,近年更涉足電影。是次於大館當代美術館的展覽將展出藝術家的開創性藝術實踐,亦包括全新委約作品。
In Anne Imhof’s first major solo exhibition in Asia, 𝘏𝘰𝘶𝘴𝘦 𝘰𝘧 𝘚𝘸𝘢𝘯𝘴, the artist constructs a multisensory experience through scenography, sonic installations and live performances, exploring gender, power and bodily discipline. The 2017 Venice Biennale Golden Lion recipient is widely recognised for her genre-defying practice encompassing performance and choreography, painting and drawing, music, installation and sculpture, and mostly recently, film. Imhof’s upcoming exhibition at Tai Kwun Contemporary expands her pioneering artistic practice, including a commission of monumental new works.

立即購票,親身體驗伊姆霍夫富感染力的創作。
Book your tickets now and experience this powerful and atmospheric exhibition.

「安妮.伊姆霍夫:天鵝社」
𝘈𝘯𝘯𝘦 𝘐𝘮𝘩𝘰𝘧: 𝘏𝘰𝘶𝘴𝘦 𝘰𝘧 𝘚𝘸𝘢𝘯𝘴
📆 25.9.2026 – 3.1.2027
🕗 周二至日 Tue–Sun 11am–7pm
周一閉館 Closed on Mondays
📍 賽馬會藝方 JC Contemporary
🎟 購票入場 Ticketed admission

請即點擊首頁頂連結了解更多關於「安妮.伊姆霍夫:天鵝社」,擇日觀展。
Click the link in bio to learn more about the exhibition 𝘈𝘯𝘯𝘦 𝘐𝘮𝘩𝘰𝘧: 𝘏𝘰𝘶𝘴𝘦 𝘰𝘧 𝘚𝘸𝘢𝘯𝘴 and plan your visit now!
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#大館當代美術館 #大館
Anne Imhof

A recent exhibition by Toki Studio at the PMQ元創方, showing you new collection by the Hong Kong ceramicists Ryan Hui and W...
14/09/2026

A recent exhibition by Toki Studio at the PMQ元創方, showing you new collection by the Hong Kong ceramicists Ryan Hui and Wy Lee, from now until 20.9.2026, just a walking distance from our KOW Serviced Apartment.

Luxury model with plenty of stylish additions. Want a ride?
14/09/2026

Luxury model with plenty of stylish additions. Want a ride?

感受北歐獨特駕駛體驗

Very unique colour scheme for watches!
11/09/2026

Very unique colour scheme for watches!

Light on the wrist. Big on personality.

These latest Swatch ESSENTIALS styles bring a little something unexpected to every moment!

This is a true story of a young HK artist Rainbow Leung who lives a life that is both genuine and grounded in reality wi...
10/09/2026

This is a true story of a young HK artist Rainbow Leung who lives a life that is both genuine and grounded in reality within Hong Kong—a city characterized by high living costs and a pursuit of materialism. A story that's worth reading and reflecting upon.

Eng translation:
Rural painter Li Xianglan has been with animals since she was a child. She depicts the fleeting life stories of childhood. She never writes to please others: the lines are shaking because her heart has been shaking.
"I don't understand, why can't I see you? The blinds are open, that's what you see as soon as you open them. You really can't leave this time. Are you "William II"? I can see that you have beautiful features, just like your old lady..." Li Xianglan (Rainbow Leung) Li Xianglan Life Research Center In a mother-in-law's tone, she taught a snake that broke into her house to eat spaghetti, and then carefully escorted it out with a ruler. The video attracted more than 1.4 million views.
This funny-talking girl is a painter who lives in Xiaheche Village. She has a cool painting style, and the protagonists of her four-panel comics are all the creatures that accompanied her when she grew up. Her works have been serialized in the supplement of "Ming Pao" since 2009. In the same year, she became the first author of the picture book "Part 1". "Xia He Che" won the award in the second "Young Writers Creation Competition". She was only 23 years old at the time. Since then, she has made a living by painting and art education, and has never tried other professions.
Growing up, she had raised more than 30 animals. She had witnessed different animals being injured and there was no money for medical treatment. Lives in the countryside were passing away one by one. In her primary school composition "My Will", she dreamed of becoming a veterinarian. She also hoped that humans would be merciful to animals, whether they were hairy or hairless. "Why is everyone's compassion used on furry animals? No one cares about the snake when it cries... I don't need to tell you or explain anything to you... I bring this information out for everyone to think about. I mainly want everyone to think about this matter together. I don't have the answer."
Painting has been throughout her life and is an important record of her childhood rural memories. As a child, she and her older sister would camp on the rooftop terrace beneath a corrugated iron shelter; the perspective of Li Xianglan’s painting captures the two of them huddled inside the tent, gazing out at the sunrise. "I was a sensitive child... I knew that this moment would become a significant part of my life. It moves me deeply every time I look back on it... I had such a strong desire to see the sunrise—spreading out my own quilt on the rooftop and waiting for it inside the tent. It left a profound impression, so I painted it. If I hadn't painted it, I likely wouldn't remember it at all."
Credit to MP Weekly

10/09/2026

Agree or not, Hong Kong night scene is still the most magnificent one in the world.

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