bologna.cc

a project space in amsterdam listed as mine

a continuation of sorts of activities from what was variously known as H.E.Olsson, Olsson's, (ivan's), 2 TEXACO, ICW, but now thinking about illusion and focus more than invisibility and privacy

26/01/2023

Hobby Welder, Anouk Asselineau. Open until Feb 19, Fri_Sat 3-6pm and by appointment

07/12/2022

Bird Time .alaska.arasli / 25 Nov 2022

29/09/2022

final weekend of WHATEVER(,) SHOW(‘)S UP(!) organised by .gallery with .buckus —- Friday and Saturday 3-6pm

21/07/2022

A dome of many-coloured glass .plaut / until august 27. Please note altered hours this week, only sat sun (July 23-24) 5-8pm, otherwise thurs-sat. Best by appointment

14/07/2022

A dome of many-coloured glass
Ceel Mogami de Haas and Lisa Plaut

opening Saturday July 16, 5-8pm
July 16 - 30 + August 18 - 27

bologna.cc (court)
Parnassusweg 220, Level 5
1076AV Amsterdam

best by appointment | Thurs-Sat 5 - 8
+31 646 686 544

11/05/2022

Synonym Satellite
May 10 - June 10, 2022

Alice Dos Reis, Sollee Kim, Leander Kreissl, mhm, mhm, Johannes Zacharias

There’s a thing in improv that you’re told to avoid - it’s called blocking. Basically, you need to try to say ‘yes’ to everything, or not ‘no’. For a while, you choose to be in the moment and see what people see at the same time as them. Then there’s something else you wish to avoid; the state of being ‘fixed’. You don’t want to be known as a tv person, and don’t have accounts for streaming, and for a long time didn’t have wifi, but that can change very quickly if you’re alone in the city and want to be able to join conversations with fluency. You say ‘yes’ to the equivalent of piracy.

We can be told about The Gilded Age or the Met Ball. A soap opera that tells you it’s about class, but is romance and sincere hope for true love, with Cynthia Nixon in a wig and a dog named Pumpkin. Interesting dresses, surely fictive, at least in their reconstruction and fabrics. Does gilding with metals speak of fundamental circuitry, or is it a surface level decoration? The majestic plural is the royal ‘we’, the reproducible 'I', and we designate the older as the other.

bologna.cc (court)
Parnassusweg 220, Level 5
1076AV Amsterdam
by appointment only

14/11/2021

Some images from the performance by Matty Davis and Ben Gould as part of ‘Twos, threes (against a misknown idea of protection)’ where we were hosted by .amsterdam 😇 the clouds cleared as the sun began to set. pedestrians and cyclists wandered and paused along the veemkade. Oct 3, 2021 📷

23/09/2021

Twos, threes (against a misknown idea of protection)

Matty Davis and Ben Gould, Onyeka Igwe

bologna.cc @ Mistral Amsterdam

bcc and mistral are proud to present a performance by US artists Matty Davis and Ben Gould, alongside a film by London-based artist and researcher Onyeka Igwe.

Presented for the first time in the Netherlands, Davis and Gould’s viscerally physical Carriage Bearance Severance tracks a process that began with sharing, reciprocity and endurance, transforming into one that deals with separateness, autonomy, and new forms of radical empathy. Parts of the performance trilogy have been presented separately since 2015 in venues such as Bozar, Carnegie Mellon’s Miller ICA, Palais de Tokyo, Human Resources, the Chicago Cultural Center, a former military battery in San Francisco, a limestone cave network in Kansas City, and aboard a moving vessel on the Chicago River. Davis and Gould bring together this time period saturated by surgery, healing, friendship, and mutual learning, performing in an unbroken sequence beside the Veemkade.

Meticulously constructed, Igwe’s the names have changed, including my own and truths have been altered (2019) narrates and represents a story of the artist’s grandfather, a recent visit to Nigeria, and an account of British colonialism and enslavement. Recurring through the film are two dancing figures (the artist, and her collaborator Titilayo Adebayo) who gaze down the lens, arms pulling and selecting through space and named as a chorus, their image meeting other caption texts. Igwe performs an ongoing criticality to continuous approach and assemblage of an archive, telling it multiply.

The subtitle of the event draws from the narration of Igwe’s film, in which a ring is worn by a visitor on the wedding finger as a talisman against unwanted attention. During travels, the ring migrates to the adjacent middle finger, fitting under the tattoo of the Nsibidi letter O.

October 3 (1645 for 1700, then til 2000)

Carriage Bearance Severance
Matty Davis and Ben Gould
90 mins

The names have changed, including my own and truths have been altered
Onyeka Igwe

October 4-6 (1600-1800)

Film remains on view

09/07/2021

Finissage Sunday July 11, 12-4 🩸level 2, koningin wilhelminaplein 2-4, 1062HK call 06 1670 6470 for any issues with entry xo

*Summer Work* is a collaborative piece made while talking about being rigid, flexible, work, how not to, be useful, there for each other, sabotage, delay, dedication, domestic horror, calls, copper, loneliness, repetition, rhyme, rent, spring and summer. It is made by Juliet Aaltonen, Asefeh Tayebani, Rietlanden Women’s Office, Rosita Kær, Moa Holgersson (vocal cymatics), and Anne Boyer.

July 3-11, 2021

29/03/2021

zona crepuscular / catalina gonzalez
march 25-april 25, visit by appointment or https://docs.google.com/spreadsheets/d/1UPqS8X6U0HvNBBqBV1pzxLBQJY0R-ZDraTIrttP6Pp4/edit?usp=sharing

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L - size, 2020
T-shirt sculpture

Claudia Pagès Rabal
Bolsillos, 2020
transferred image on cardboard box

Light schemes I, 2021
digital print on japanese photography paper, 90 x 160 cm

Sun translations, 2021
wood sculpture, sound system, 200 x 45 x 120 cm

Sun translations, 2021
wood sculpture, screen, 10’ video loop, black ceramic, 200 x 46 x 200 cm

Arch, 2021
metal, led light system

10 pieces, 2019
ceramic fragments, different sizes

Light schemes II, 2021
digital print on japanese photography paper • 90 x 160 cm

Zona Crepuscular, 2021
single channel HD video, colour, stereo, 5’ projected loop

07/03/2021

g r e a t e r u n i o n ` victoria colmegna, joke robaard, radna rumping, rietlanden women’s office - feb 7 - 28, 2021 // bologna.cc (west)

- Victoria Colmegna / Steiner chalkboard diagram swimsuits - XS, M, L, L
(2020) slinky matte lycra 6.19 oz, black thread / Any perturbance of her pride will bring on her symptoms
2019/21, digital print on synapse synthetic
- Radna Rumping / Near and Further Distance
(2020-2021) audio, poster designed by Rietlanden Women’s Office - Edition of 300, Printed by Drukkerij Raddraaier
- Joke Robaard / TRAITS (1977-present) - nr.07
(2015) ink on textile

Adres

Rokin 90
Amsterdam
1012KN

Website

http://bologna.cc/

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